中北大学学报（社会科学版）2025，Vol.41Issue(4)：144-150,7.DOI:10.62756/xbsk.1673-1646.2025091
物质化与去物质化:后人类剧场的赛博格与数字媒体
Materialization and Dematerialization:Cyborgs and Digital Media in the Posthuman Theatre
摘要
Abstract
Posthuman is already a cultural state of contemporary society,characterized by the transfor-mation of the human being from a liberal humanist subject to an"information-processing entity of a similar nature to an intelligent machine".When such an exploration of identity perception enters theatrical percep-tion,it also means that the posthuman paradigm is moving towards theater:"digital performance"reshapes"human and space"into a new type of stage relationship between"cyborgs and digital media".In the rela-tive relationship of"human-robot",the objectification of the subject's body is presented through the"virtual body"of the digital human and the"physical body"of the robot,completing the transformation from"human to object".In the relative relationship of"space-digital media",the subjectivization of the objective space is to be presented through the virtual visual technology to present the connotation of textuality,completing the dematerialization of the theatre from"object to person".关键词
后人类剧场/赛博格/数字媒体/舞台关系/戏剧艺术Key words
posthuman theater/cyborg/digital media/stage relations/theatre arts分类
艺术学引用本文复制引用
林子涵,宋旸..物质化与去物质化:后人类剧场的赛博格与数字媒体[J].中北大学学报（社会科学版）,2025,41(4):144-150,7.基金项目
2020年国家社科基金艺术学重大项目:新中国舞台美术发展研究(20ZD22) （20ZD22）
