世界建筑Issue(7)：53-61,9.
追溯与置疑:后现代主义建筑思潮与1970年代日本建筑的关系再审视
Tracing and Questioning:A Re-Examination of the Relationship Between Postmodernism and 1970s Japanese Architecture
王婉琳 1许懋彦2
作者信息
- 1. 清华大学
- 2. 清华大学||清华大学建筑学院
- 折叠
摘要
Abstract
This article reconsiders the common tendency to classify Japanese architecture of the 1970s under the label of"postmodernism".This view was largely shaped by Charles Jencks's repeated use of Japanese examples in his postmodernist writings,which often overlooked the local conditions and intentions behind these works.Through a dual approach-examining both Jencks's framing of Japanese architecture and the Japanese architectural community's contemporary responses-this study reveals how Japanese architects maintained cultural agency.Rather than passively adopting Western theories,they engaged in a process of selective interpretation and strategic self-positioning,contributing to a distinct architectural discourse that emerged under the guise of postmodernism but spoke to Japan's own cultural concerns.关键词
后现代主义/日本建筑/查尔斯·詹克斯/矶崎新/1970年代Key words
postmodernism/Japanese architecture/Charles Jencks/Arata Isozaki/1970s引用本文复制引用
王婉琳,许懋彦..追溯与置疑:后现代主义建筑思潮与1970年代日本建筑的关系再审视[J].世界建筑,2025,(7):53-61,9.
