河北民族师范学院学报2025，Vol.45Issue(3)：41-46,6.DOI:10.16729/j.cnki.jhnun.2025.03.007
作为文化绵延的"媒介":论抗战时期闻一多的屈原形象塑造
As the"Medium"of Cultural Continuity:On Wen Yiduo's Portrayal of the Qu Yuan During the Anti-Japanese War
摘要
Abstract
During the Anti-Japanese War,the image of Qu Yuan underwent multidimensional historical reconstruction and layered signification.Wen Yiduo,as a"cultural nationalist of Chinese civilization",consistently positioned"Qu Yuan"in his writings as a"medium"for the perpetuation of Chinese culture.From historical authenticity to cultural symbolism,and from literary archetype to a spiritual totem of national ethos,the evolution of Qu Yuan's image in Wen Yiduo's portrayals reveals a tripartite framework:"historical demystification—personality reconstruction—aesthetic sublimation."Each layer of reconstruction carried the cultural demands and ideological projections of its era,fundamentally reflecting an interactive process among historical truth,cultural imagination,and ideology.From debates over textual research to the elevation as a spiritual totem,and from classical literary canons to modern theatrical adaptations,Qu Yuan's image has been continually imbued with new meanings.This not only demonstrates the self-renewing capacity of Chinese culture but also unveils the complex tensions inherent in the modern transformation of traditional culture.关键词
闻一多/屈原形象/文化绵延Key words
Wen Yiduo/Qu Yuan's image/cultural continuity分类
社会科学引用本文复制引用
张艳..作为文化绵延的"媒介":论抗战时期闻一多的屈原形象塑造[J].河北民族师范学院学报,2025,45(3):41-46,6.基金项目
2021年度国家社科基金重大项目"中国现当代文学思潮中的古典传统重释重构及其互动关系史研究"(21&ZD267) （21&ZD267）
2022年度海南省研究生创新科研课题"郭沫若对中国古典文学传统的重释重构及其创作影响研究"(Qhyb2022-127). （Qhyb2022-127）
