从"修辞明道"看韩愈文道观之新释与审美特征OA

Han Yu,a key figure in the Tang Dynasty's ancient prose movement,demonstrated his pro-found impact not only in the thorough reconstruction of Confucian orthodoxy but also in the innovative inter-pretation of the core issues of traditional Chinese literary theory and aesthetics,particularly the relationship between literature and Daoism.Traditional interpretations of this relationship have been polarized since the Wei and Jin Dynasties,whether emphasizing Dao over literature or witnessing the prevalence of formalism during the Qi and Liang periods with the view of"literature without Dao".These interpretations reveal the chronic ailment of the literature-Daoism relationship,failing to achieve dynamic equilibrium and organic inte-gration in long-term practice.Han Yu proposed the literary Daoist perspective of"Rhetoric Illuminating Dao",liberating literature from its subservience to Daoism,and further establishing a generative path for"Illuminating Dao"centered on core standards such as"appropriate rhetoric"and"the harmony of virtue and beauty".Within the unified system of"literature and Daoism as one",Han Yu's literary aesthetic character-istics,including the beauty of vigor,the beauty of lamentation,and the beauty of innovation,are manifested through literary theories such as"Qi abundant,speech appropriate","raising objections when things are unjust",and"expressing oneself in accordance with the spirit of the Six Classics".Han Yu's perspective on the literature-Daoism relationship not only bridges the gap between literature and Dao since the Han and Tang Dynasties but also has a profound and far-reaching impact on future generations.