中北大学学报（社会科学版）2025，Vol.41Issue(5)：149-156,8.DOI:10.62756/xbsk.1673-1646.2025125
复式视觉焦点的场景同构:《点石斋画报》对世界图景的视觉叙事
Scene Isomorphism of Compound Visual Focus:Visual Narrative of World Picture in Dianshizhai Pictorial
陈晓洁1
作者信息
- 1. 济南大学 文学院,山东 济南 250022
- 折叠
摘要
Abstract
From the theoretical perspective of visual rhetoric,this paper reveals how Dianshizhai Picto-rial utilized the photo-lithographic technology to achieve a pioneering visual image representation paradigm and shaped the visual experience of the mass audience in the late Qing Dynasty.Dianshizhai Pictorial employed a multi-level design of onlooker perspectives to form a complex visual focus structure,construct-ing an imagined visual spectacle.The simulated visual focus within the picture and the real visual focus out-side the picture corresponded and interacted,creating an immersive perspective that made the audience feel present,generating a sense of virtual presence.By focusing on details and close-range sensory perception,it achieved a panoramic perspective of the onlooker,driving the media transformation of modernity experience in the late Qing Dynasty.关键词
《点石斋画报》/照相石印技术/视觉叙事/图像传播Key words
Dianshizhai Pictorial/photo-lithography technology/visual narrative/image propagation分类
社会科学引用本文复制引用
陈晓洁..复式视觉焦点的场景同构:《点石斋画报》对世界图景的视觉叙事[J].中北大学学报（社会科学版）,2025,41(5):149-156,8.
