丽水学院学报2025，Vol.47Issue(4)：70-77,8.DOI:10.3969/j.issn.2095-3801.2025.04.009
"真实"与"虚构"的博弈:娜塔莉·泽蒙·戴维斯的影视史学叙事
The Tension Between"Reality"and"Fiction":An Analysis of Natalie Zemon Davis's Historiophotic Narrative
摘要
Abstract
The tragic fate of the ordinary people,across all regions,remains one of the darkest moments in history.The Return of Martin Guerre and Slaves on Screen:Film and Historical Vision focus on such dark moments,both of which involve the narrative approaches of historiophoty and text history.These two approaches reveal the past to varying degrees,thereby enriching the modes of historical writing.The tension between"reality"and"fiction",emerging from these narrative modes,has become the internal logic and two focal points of Natalie Zemon Davis's academic pursuit.In her historical approach,differences of media do not prove that they fail to truthfully represent history.On the contrary,it is precisely through the cross-verification of text and screen media that Davis explores the diverse dimensions of historical narration and investigates pluralistic approaches to historical writing.While discerning the propositions of"reality"and"fiction"in historical narration,Davis persistently puts focus on the ordinary people in her writing,which constitutes her distinctive historical style.关键词
娜塔莉·泽蒙·戴维斯/《马丁·盖尔归来》/《电影中的奴隶:再现历史真相的影像实验》/史学叙事/影视史学Key words
Natalie Zemon Davis/The Return of Martin Guerre/Slaves on Screen:Film and Historical Vision/historical narrative/historiophoty分类
社会科学引用本文复制引用
朱鑫钰.."真实"与"虚构"的博弈:娜塔莉·泽蒙·戴维斯的影视史学叙事[J].丽水学院学报,2025,47(4):70-77,8.基金项目
山东大学中华民族现代文明建设研究专项"中华民族现代文明与文化主体性建设"(24RWZX11) （24RWZX11）
