现代电影技术Issue(9)：19-27,9.DOI:10.3969/j.issn.1673-3215.2025.09.003
动画电影《浪浪山小妖怪》声音创作实践与技术应用研究
Research towards the practice and technical application of sound creation in animated film Nobody
摘要
Abstract
Based on a thorough case study towards ink-painting style 2D animated film Nobody,this paper systematically explains how film sound design and production technology provides the support for the spiritual core and aesthetic interpre-tation of the film.By focusing on analyzing the multi-dimensional technical scheme of the film,especially on dialogue sound effects design,foley and sound effects presentation,soundscape scheme as well as sound mixing and recording produc-tion,this paper studies the auxiliary function of systematic tone design towards multiple film characters from spectral shape-ing,animal sound foley,etc.In the meantime,this paper explores the technical pathway of creating fable space by de-terri-torializing soundscape schem,and realizes a sound mixing and recording scheme of strengthening the emotional tension and spiritual sublimation of the film through leaving blank space strategy.The research shows that the sound production scheme of Nobody has successfully built an overall soundscape with natural,simple,recognizable while also fits the artistic conception of ink painting,and achieved the sound production path beyond traditional stylized processing.Through audi-tory symbolization,emotional mapping and blank space aesthetics,it effectively carries the narrative function and spiritual core of the film,which provides a useful exploration for the sound creation and production of animated films.关键词
动画电影声音设计/ADR设计/语音饱和化处理/高采样率录音与加工/环境声方案Key words
Sound Creation for Animated Motion Picture/ADR Design/Speech Saturation Processing/High Sampling Rate Recording and Processing/Soundscape Scheme分类
社会科学引用本文复制引用
张金岩,邱逸..动画电影《浪浪山小妖怪》声音创作实践与技术应用研究[J].现代电影技术,2025,(9):19-27,9.基金项目
国家社科基金艺术学项目"中国类型电影声音创作与理论研究"(22BC050). （22BC050）
