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球幕电影《大足石刻》的沉浸声设计及应用

宋雨泽 戴旺廷 王乐文

现代电影技术Issue(9):65-72,8.
现代电影技术Issue(9):65-72,8.DOI:10.3969/j.issn.1673-3215.2025.09.008

球幕电影《大足石刻》的沉浸声设计及应用

Immersive sound design and application in the fulldome film Dazu Rock Carv-ings

宋雨泽 1戴旺廷 1王乐文1

作者信息

  • 1. 北京电影学院声音学院,北京 100091
  • 折叠

摘要

Abstract

As a novel audiovisual presentation format,fulldome cinemas have gained widespread adoption in recent years within science education venues due to their highly immersive experiential qualities.Their visual presentation aligns with the characteristics of human vision,while their acoustic design conforms to the principles of three-dimensional sound trans-mission and communication.This paper takes the cultural heritage-themed fulldome film Dazu Rock Carvings for case study,and systematically sorts out the technical characteristics and development status of the current fulldome cinema au-dio system through the method of literature review and project empirical research.Then,it provides a comparative analysis of the audio system and indoor acoustic characteristics towards the immersive sound fulldome cinema for Dazu Rock Carv-ings,and offers a comprehensive breakdown of the entire sound production process for the film.The research demon-strates that through methods such as impulse response-based reverberation capture,multi-channel audio material design,and final mixing performed on-site in the fulldome cinema,effective immersive sound design for fulldome films can be achieved,and provides a referential audio technical solution for the digital dissemination of cultural heritage.

关键词

球幕电影/沉浸声/声音设计/脉冲响应

Key words

Fulldome Film/Immersive Sound/Sound Design/Impulse Response

分类

社会科学

引用本文复制引用

宋雨泽,戴旺廷,王乐文..球幕电影《大足石刻》的沉浸声设计及应用[J].现代电影技术,2025,(9):65-72,8.

现代电影技术

1673-3215

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