西南交通大学学报（社会科学版）2025，Vol.26Issue(5)：117-127,11.
清代古文理论中的中和观
The View of Neutralization in the Theory of Qing Dynasty Ancient Prose:Centered on the Theoretical Progress of the Tongcheng School
摘要
Abstract
The aesthetics of"neutralization"has been integrated into the initial form of traditional Chinese literary theories since the beginning of their formation,and has permeated the whole process of Chinese literary criticism as a universal theoretical logic.This kind of consistent thinking concept of most scholars is especially obvious in the ancient prose theories of the Qing Dynasty represented by the Tongcheng School:Fang Bao's"righteousness method"servesas the precursor to the neutralization of the Tongcheng School;Yao Nai's"masculinity and femininity"is a remarkable symbol of the"neutrality"of this school of literature,as he puts forward a neutral interpretation of the style of writing;Zeng Guofan adhering to the principle of"both Han and Song dynasties"to promote the Ancient Prose creative idea of"Interlacing with ekphrasis and prose"and"Combining ekphrasis and prose"is a direct presentation of the concept of neutralization in the generation of specific critical concepts.The"neutral"literary theory inherited from generation to generation of the Tongcheng School has contributed to the deep integration of the traditional aesthetic view and the literary view,thus highlighting this national literary criticism mode with significant differences from the Western literary theory,which can provide some references to the construction of the current independent knowledge system of literary theory.关键词
桐城派/古文/中和观/方苞/姚鼐/曾国藩Key words
Tongcheng School/ancient prose/Neutralization/Fang Bao/Yao Nai/Zeng Guofan引用本文复制引用
韩叶林..清代古文理论中的中和观[J].西南交通大学学报（社会科学版）,2025,26(5):117-127,11.
