符号学视域下白裤瑶女子服饰背牌图案的文创产品设计研究OA
THE CULTURAL AND CREATIVE PRODUCT DESIGN RESEARCH OF BACKPLATE PATTERNS ON BAIKU YAO NATIONALITY WOMEN'S ATTIRE FROM A SEMIOTIC PERSPECTIVE
本研究针对白裤瑶服饰文化研究中的跨学科理论与应用转化不足问题,基于查尔斯·莫里斯符号学三分法对白裤瑶女子服饰背牌图案开展文化解码与设计转译.语义维度通过解析纹样的祖源与自然崇拜内涵,提出"瑶王印记"系列设计主题;语构维度结合形状纹法分析背牌图案的构成风格、色彩特征等,生成适配现代审美的衍生纹样集;语用维度提取族群记忆中的情感符号,设计兼具文化认同与实用功能的文创产品.研究表明,符号学理论可系统揭示白裤瑶服饰文化的多层意义,为文旅融合背景下的非遗创新设计提供了方法论支持,有效促进了对传统纹样的活态传承与应用转化.
This study addresses the insufficient interdisciplinary theory and application transformation in BaiKu Yao ethnic costume research.Utilizing Charles Morris's triadic semiotics,we conduct cultural decoding and design translation of the back-panel patterns on BaiKu Yao women's costumes.In the semantic dimension,ancestral narratives and nature worship connotations are interpreted to propose the"Yaowang Imprint"series design theme.The syntactic dimension employs shape grammar to analyze pattern composition and color symbolism,generating derivative patterns aligned with modern aesthetics.The pragmatic dimension extracts emotional symbols from collective memory to develop culturally resonant and functional cultural products.Findings demonstrate that semiotic theory systematically reveals the multi-layered significance of BaiKu Yao costume culture,providing methodological support for intangible cultural heritage(ICH)innovative design in cultural tourism integration contexts,while effectively promoting the living heritage transmission and practical application of traditional patterns.
李丹梅;覃晓慧
河池学院美术与设计学院河池学院美术与设计学院
艺术学
符号学白裤瑶女子服饰背牌图案文创产品设计
SemioticsBaiKu YaoWomen's attireBackplate patternsCultural and creative product design
《设计》 2025 (19)
54-57,4
本文为河池学院2022年校级科研项目"白裤瑶服饰纹样的文化传承与创新应用研究"的研究成果(编号:2022XJYB017)
评论