摘要
Abstract
This study aims to explore the aesthetic characteristics and cultural connotations of the phoenix bird pattern in Tang Dynasty bronze mirrors,and explore its innovative transformation path in modern cultural and creative product design,in order to inherit the artistic value of traditional patterns and give them contemporary significance.Through literature research,image analysis,and archaeological research,the thematic types and stylistic features of Tang Dynasty phoenix bird patterns were systematically sorted out;Combining shape grammar theory,geometrically reconstructing and parameterizing patterns to generate design units that conform to modern aesthetics;Verify the feasibility of the method through design practice.Four types and three aesthetic paradigms of dynamic form,balanced composition,and delicate lines were extracted from the Luan bird pattern,including the double Luan ribbon pattern,Luan bird flower pattern,Luan bird auspicious beast pattern,and double Luan bird pattern.Based on the shape grammar,three innovative patterns were evolved and successfully applied in the design of cultural and creative products such as scarves and living utensils.This study constructs a methodological framework for the innovative transformation of traditional patterns,which not only preserves the cultural genes of Tang Dynasty phoenix and bird patterns,but also achieves their cross media narrative through modern design language,providing theoretical support and practical examples for the dynamic inheritance of traditional crafts.关键词
唐代铜镜/鸾鸟纹/纹样衍生设计/形状文法/文化符号转译Key words
Tang Dynasty bronze mirrors/Luan bird pattern/Pattern derived design/Shape grammar/Translation of cultural symbols分类
艺术学
