西藏研究Issue(3)：11-22,12.
论汉藏传统音乐中三分性结构及其共性特征的呈现
On the Tripartite Structure and Shared Characteristics in Han and Tibetan Traditional Music
摘要
Abstract
Historical records document extensive interactions between Han and Tibetan eth-nic groups,fostering deeper connections and mutual cultural enrichment,particularly in traditional music.Both Han and Tibetan traditional music share a tripartite structure-comprising an introduction,middle,and conclusion-retaining distinct features while de-veloping new,blended characteristics through interaction.The tripartite structure and its shared traits reflect a universal musical framework shaped by the cultural ecologies and aesthetic preferences of Han and Tibetan communities.External factors,such as cultural encounters and non-musical influences,have also impacted these musical structures,resulting in a fusion that is both inclusive and mutually permeable.关键词
汉藏民族交流/传统音乐/三分性结构引用本文复制引用
张玉红..论汉藏传统音乐中三分性结构及其共性特征的呈现[J].西藏研究,2025,(3):11-22,12.基金项目
本文系2024年度西藏大学博士研究生高水平人才培养计划项目"三分性结构及其共性特征——以藏汉传统音乐中的呈现为例"(项目编号:2022-GSP-B026)阶段性成果. （项目编号:2022-GSP-B026）
