建筑与文化Issue(11)：216-218,3.DOI:10.19875/j.cnki.jzywh.2025.11.065
宋代建筑彩画复原研究——以滕王阁铺作部分为例
Restoration Study of Song Dynasty Architectural Polychromy:Taking the Bracket Sets of Tengwang Pavilion as an Example
摘要
Abstract
This study focuses on the bracket sets of Tengwang Pavilion from the Song Dynasty,as depicted in Qiu Ying's Ming Dynasty Work Album after Song Masters.The restoration of the pavilion's original polychromy is attempted based on the coloring standards stipulated in Yingzao Fashi(Treatise on Architecture Methods).By analyzing both the visual details in the architectural painting and relevant construction background,the research determines the type of timber used,establishes the building's hierarchical status,and identifies the bracket set polychromy as the high-grade"Wucai Bianzhuang"(comprehensive multicolor decoration).The results demonstrate the value of architectural paintings as visual references or"renderings"in historical architectural studies,and reveal the interdependence between aesthetics and grade within the polychromy conventions of the Song Dynasty.This research provides methodological insights for the restoration of traditional Chinese architectural polychromy.关键词
滕王阁/宋代建筑/《营造法式》/界画/铺作/彩画作制度Key words
Tengwang Pavilion/Song Dynasty architecture/Yingzao Fashi/architectural painting/bracket sets/polychromy conventions引用本文复制引用
丁博涵..宋代建筑彩画复原研究——以滕王阁铺作部分为例[J].建筑与文化,2025,(11):216-218,3.
