巢湖学院学报2025，Vol.27Issue(5)：59-66,8.DOI:10.12152/j.issn.1672-2868.2025.05.008
祢衡所击为何鼓:亳州花戏楼《祢衡击鼓》中的鼓图像类比和阐释
Which Drum Did Mi Heng Strike:An Iconographic Comparison and Interpretation of the Drum in Mi Heng Striking the Drum at the Bozhou Huaxilou
摘要
Abstract
Mi Heng Striking the Drum is carved on the large beam between the pillars of the Huaxilou(Flower Opera Stage)in Bozhou.Taking this woodcarving as the research object and guided by a three-tiered framework,the paper applies methods from music iconography to analyze the scenes depicted in the carving.Using the drum struck by Mi Heng as the point of departure and situating the woodcarving in its historical context,the study traces changes in historical records across different periods and examines the placement,playing technique,and form of drums in the period of late Eastern Han and the Three Kingdoms.It seeks to verify whether the portrayal of drum performance from the Three Kingdoms period,as rendered in the Qing-dynasty Huaxilou,is historically consistent.The paper further explores the music-iconographic value embodied in the Huaxilou,thereby deepening our under-standing of the musical-cultural characteristics and historical significance of this ancient structure.关键词
音乐图像学/花戏楼/《祢衡击鼓》/汉代乐鼓/音乐文化Key words
music iconography/Huaxilou(Flower Opera Stage)/Mi Heng Striking the Drum/Han-dynasty drums/musical culture分类
社会科学引用本文复制引用
XU Tao,LI Ze-wei..祢衡所击为何鼓:亳州花戏楼《祢衡击鼓》中的鼓图像类比和阐释[J].巢湖学院学报,2025,27(5):59-66,8.基金项目
安徽省哲学社会科学规划项目(项目编号:AHSKY2021D115) （项目编号:AHSKY2021D115）
