牡丹江师范学院学报（哲学社会科学版）Issue(6)：64-69,6.
清代乾嘉时期山东曲家的戏曲创作观念
The Concept of Drama Creation among Playwrights from Shandong During the Qian-Jia Period of the Qing Dynasty
摘要
Abstract
During the Qianlong and Jiaqing periods of the Qing Dynasty,the dramatic works of playwrights from Shandong exhibited distinct in-genuity in terms of theme,genre,and style,yet their creative concepts displayed a pronounced characteristic of overall convergence.Immersed in the Confucian sacred land of Shandong,they fostered a drama creation concept that revered Confucianism and emphasized education.The evidential re-search style of the mid-Qing Dynasty catalyzed a rigorous and faithful creative orientation.Embracing the mission of establishing their voice through writing,the playwrights rooted themselves in Qilu culture.Based on the orthodox and classic style of Lu,while incorporating the free,unrestrained ro-mantic spirit of Qi,they formed a unique aesthetic quality that combined solemnity with vitality,manifesting the"Concept of Orthodox Correctness".关键词
乾嘉/山东曲家/创作观念Key words
Qian-Jia period/Shandong playwrights/concept of creation分类
社会科学引用本文复制引用
Zhang Wenping,Sun Xiaoyan..清代乾嘉时期山东曲家的戏曲创作观念[J].牡丹江师范学院学报（哲学社会科学版）,2025,(6):64-69,6.基金项目
黑龙江省哲学社会科学研究规划项目"元明清时期山东传奇戏曲地域研究"(23YSB211) （23YSB211）
