丽水学院学报2026，Vol.48Issue(1)：88-95,8.DOI:10.3969/j.issn.2095-3801.2026.01.010
视觉思维下中国陶瓷绘画图像的审美机制研究
Research on the Aesthetic Mechanism of Chinese Ceramic Painting Imagery from the Perspective of Visual Thinking
摘要
Abstract
As a dual carrier of material and spiritual values,Chinese ceramic painting imagery derives its aesthetic mechanism from the in-depth interaction between the cognitive logic of visual perception and cultural symbols.However,the current aesthetic study of Chinese ceramic painting lacks systematic exploration and is confronted with a predicament of marginalization.In response to this issue,the article introduces Rudolf Arnheim's theory of visual thinking,and establishes three dimensions—the unity of vessel and imagery,visual tension,and perceptual simplification—as the foundation for the aesthetic cognition of ceramic painting imagery.It further refines six types of symbols—primitive symbols,ritual symbols,secular symbols,folk symbols,brush-and-ink symbols,and metaphorical symbols—as translation pathways for understanding the generation of its aesthetic meaning and explains the semantic transformations of visual symbols in different forms.Finally,it summarizes three pathways—cross-media experience transfer,life experience transfer,and cultural experience transfer—to analyze the occurrence of aesthetic cognition,and reveals how visual thinking completes the aesthetic construction of ceramic painting imagery through the accumulation of experience.关键词
陶瓷绘画图像/符号转译/审美认知/经验迁移Key words
ceramic painting imagery/symbol translation/aesthetic cognition/experience transfer分类
社会科学引用本文复制引用
孙翰颖..视觉思维下中国陶瓷绘画图像的审美机制研究[J].丽水学院学报,2026,48(1):88-95,8.基金项目
丽水市哲学社会科学常规课题"视觉思维下中国陶瓷绘画图像的审美机制"(LB202530) （LB202530）
