南都学坛2026，Vol.46Issue(2)：58-65,8.
从"主义"到"方法":论"五四"话剧现实主义文体理论的阐释与嬗变
From"Doctrine"to"Method":On the Interpretation and Evolution of Realist Literary Style Theory in'May Fourth'Drama
摘要
Abstract
Realism underwent a transformation in the construction of stylistic theory for the'May Fourth'drama,shifting from a macro-level ideological"ism"to a micro-level practical"method".In the epistemological stage established by Hu Shi's concept of Ibsenism,realism not only pointed out the direction for the stylistic construction of various organic components of Chinese drama,but also influenced subsequent perspectives and mainstream views on the role of drama in reflecting reality.However,as modern drama practices evolved on stage,the drawbacks of replacing methodological practices with realist epistemology begin to emerge,prompting new stylistic explorations in realist art theory.Yet,due to the overwhelming authority of realist epistemology rooted in China's unique national conditions,Chinese modern drama's realist theory gradually lost its way.关键词
"五四"话剧/现实主义/文体理论Key words
'May Fourth'Drama/realism/literary theory分类
社会科学引用本文复制引用
林树帅..从"主义"到"方法":论"五四"话剧现实主义文体理论的阐释与嬗变[J].南都学坛,2026,46(2):58-65,8.基金项目
国家社会科学基金重大招标项目"中国现代文学文体理论整理、汇编与研究(1902-1949)"(17ZDA275). （1902-1949）
