摘要
Abstract
Memory holds foundational significance in human understanding and aesthetic practice,its generative logic consistently revolving around the three core philosophical categories of time,body,and mind.However,within contemporary theoretical constructions of environmental aesthetics,memory,despite its intrinsic affinity with the emergence and development of environmental aesthetics,has been systematically marginalized and suspended.Environmental theories epitomized by Arnold Berleant's"aesthetics of engagement",due to their overemphasis on the immediacy of perception and the synchronic continuity of the body,lapse into a theoretical impasse of"presentism".This results in the evacuation of the historical dimension from environmental appreciation,constituting a typical"aesthetics of amnesia"."Environmental memory"is not merely an adjunct to environmental aesthetics,but rather an essential structure that constitutes environmental identity and the generation of meaning.To remedy this theoretical flaw,it is imperative to return to the phenomenon of environmental memory itself and undertake a thorough phenomenological"intuition of essence",thereby reconstructing the ontological connection between memory and environment through its"presence-in-absence".Through the reinstatement of environmental memory,environmental aesthetics can transcend the limitations of perceptual immediacy,truly reenter the life-world endowed with temporal depth and narrative richness,and ultimately ascend from aesthetic experience to poetic dwelling.关键词
记忆观念/环境美学/环境记忆/失忆的美学/现在主义/栖居Key words
concept of memory/environmental aesthetics/environmental memory/aesthetics of amnesia/presentism/dwelling
