河北民族师范学院学报2026，Vol.46Issue(2)：20-27,8.DOI:10.16729/j.cnki.jhnun.2026.02.003
复制非同一性、非书思维与在途中
Non-Sameness of Replication,Non-book Thinking and Here-on the Way
摘要
Abstract
By leveraging interface generativity,digital aesthetics exhibits aesthetic characteristics.Benjamin believed that mechanical replication leads to a transformation of artistic paradigms and an enhancement of artistic communication,but digital art is not based on the sameness of replication,but on a hierarchical system built on information technology to establish the connection between its global communication and artistic power,made its effect of non-sameness of replication.The development history of interface technology has endowed it with a non-book thinking mode,breaking the rational order and regulations,and unleashing the artistic power of sensibility,intuition,and jumping thinking.Digital media incorporates Existing-media and exhibits heterogeneous correlations in the here-on the way.Digital art emphasizes the emotional freedom of individuality,the interactive reproduce of spectacular,and the procedural aesthetics of user participation.Digital media has the potential attractiveness of Eros,allowing digital art to satisfy everyone's creative desires while also having diverse development prospects.关键词
数字美学/界面生成性/复制非同一性/非书思维/在途中Key words
Digital Aesthetics/Interface Generativity/Non-sameness of replication/Non-book Thinking/Here-on the way分类
社会科学引用本文复制引用
刘亚斌..复制非同一性、非书思维与在途中[J].河北民族师范学院学报,2026,46(2):20-27,8.基金项目
2022年度国家社会科学基金后期资助项目"界面生产视域下新媒介文艺转型机理研究"(22FZWB085). （22FZWB085）
