河北民族师范学院学报2026，Vol.46Issue(2)：37-44,8.DOI:10.16729/j.cnki.jhnun.2026.02.005
数字时代的心与物
Mind and Object in the Digital Age:Chinese Expression of Foreign Digital Aesthetic Theories
摘要
Abstract
The Chinese expression of foreign digital aesthetic theories is an easily overlooked yet worth exploring area in digital aesthetic research.Taking digital technology as the starting point and Chinese culture as the background,foreign Chinese scholars of Chinese descent have developed original theories of digital aesthetics that focus on the mind and object in the digital era.First,focusing on the literary aesthetics and identity construction in the digital era,they put forward innovative digital aesthetics theories such as the digitally informed novel,the narratology for dynamic digital narratives,and digital tools for voice studies.Secondly,the theory of"sense of things"provides theoretical impetus for the biomimetic turn of digital aesthetics.It highlights the emotional communication and interaction between artists and digital media.Finally,theories of digital aesthetics such as historicized perception,psychology of film art,heterogeneity of film technological landscape,and two-track juxtaposition technology are proposed in the field of film.Emphasis is placed on the two-way interaction between objects and people under the combined effect of mind-object relationship theory and object-oriented theory.The concept of Chinese poetics is integrated into the aesthetic thinking in the digital era and form the proposition of digital transformation of mind-object aesthetics.关键词
数字美学/国外/心物审美/中国诗学Key words
digital aesthetics/overseas Chinese descent/mind-object aesthetic/Chinese poetics分类
社会科学引用本文复制引用
郑旻彤,孙恒存..数字时代的心与物[J].河北民族师范学院学报,2026,46(2):37-44,8.基金项目
2019年度国家社会科学基金项目"数字美学理论话语建构研究"(19BZW027). （19BZW027）
