中北大学学报（社会科学版）2026，Vol.42Issue(2)：41-46,6.DOI:10.62756/xbsk.1673-1646.2026032
《惊蛰无声》:谍战类型片的反类型尝试
Scare Out:An Anti-genre Attempt in the Spy Film
摘要
Abstract
As China's first film focusing on contemporary national security,Scare Out follows common conventions of the spy film while attempting to break through them,showing anti-genre characteristics.In terms of plot structure,the film adheres to the formulaic norms based on the"bomb theory",and also achieves a breakthrough of existing"formulas"through the polyphonic arrangement of three storylines.The characterization in the film features relatively obvious stereotypical traits,but the setting of"dual male leads"and the exploration of the characters'complex personalities promote the expression of individuality.In terms of visual imagery,the film still employs the common iconic coding methods of spy films,but the incorpora-tion of a large number of the latest technological elements and contemporary urban landscapes dilutes this iconic quality,constructing a strong sense of modernity.These anti-genre attempts have both gains and losses,precisely reflecting the exploration and compromises made by genre films in the process of innova-tion:seeking to meet audiences'expectations while creating freshness;following genre conventions while achieving breakthroughs;pursuing commercial benefits while conveying mainstream values.关键词
《惊蛰无声》/反类型/复调叙事/双男主/现代感Key words
Scare Out/anti-genre/polyphonic narrative/dual male leads/sense of modernity引用本文复制引用
郭学军..《惊蛰无声》:谍战类型片的反类型尝试[J].中北大学学报（社会科学版）,2026,42(2):41-46,6.基金项目
第三批国家级一流本科课程:线上线下混合式一流课程《影视概论》的研究成果 （）
