中北大学学报（社会科学版）2026，Vol.42Issue(2)：60-66,7.DOI:10.62756/xbsk.1673-1646.2026035
《惊蛰无声》:谍战片的"当代"转向
Scare Out:The"Contemporary"Transformation of the Spy Film
摘要
Abstract
The 2026 Spring Festival release Scare Out achieves a paradigm shift in the spy film from"historical imagination"to"contemporary vigilance".From the perspective of genre theory,this turn toward the"contemporary"injects new vitality into the genre while also introducing dual narrative dilemmas:First,the challenge of balancing authenticity with dramatic effect;Second,the inherent tension between conveying values and maintaining artistic autonomy.The film addresses these dilemmas across four dimensions:spatial politics,narrative fission,value reconstruction,and an austere aesthetic.In terms of spatial politics,it constructs a visual paradox between seeing and being seen through a dual encoding of the everyday and the spectacular.Narratively,it reshapes suspense mechanisms with a"Werewolf"game structure,yet encounters the difficulty of reconciling universal suspicion with emotional identification.In value reconstruction,it shifts from heroic narratives to universal vigilance through a"deheroized"ensemble of characters.Aesthetically,it adopts a restrained expression through color reduction and experiments with"silence".Scare Out not only completes the"contemporary"transformation of the spy film but also provides an important reference for how mainstream cinema can address the structural challenges of representing the"contemporary".关键词
《惊蛰无声》/谍战片/类型理论/当代转向Key words
Scare Out/spy film/genre theory/contemporary transformation分类
社会科学引用本文复制引用
高菲,罗兰烁..《惊蛰无声》:谍战片的"当代"转向[J].中北大学学报（社会科学版）,2026,42(2):60-66,7.基金项目
国家社会科学基金重大项目:周边传播理论与应用研究(17ZDA288) （17ZDA288）
中国广播电视社会组织联合会学术研究项目:广电视听国际传播效能评估标准和机制建设研究(ZGL2025XSW014) （ZGL2025XSW014）
