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东汉时期图像政治与大一统视觉文化建构

岳岭 林坤

南都学坛2026,Vol.46Issue(3):1-7,7.
南都学坛2026,Vol.46Issue(3):1-7,7.

东汉时期图像政治与大一统视觉文化建构

Image Politics and the Construction of a Unified Visual Culture in the Eastern Han Dynasty

岳岭 1林坤2

作者信息

  • 1. 宁波职业技术大学 马克思主义学院,浙江 宁波 315800
  • 2. 南阳师范学院 图书馆,河南 南阳 473061
  • 折叠

摘要

Abstract

During the Eastern Han Dynasty,images and politics were deeply intertwined,forming a binary integrated structure of"image-politics."In this period,images served not merely as a popular means of expression among the populace but were also endowed with strong political intentions due to their inherent ethical,moral,and cognitive attributes.Through visual arts,a unified political order was constructed and political identity was reinforced,transforming image art into an instrumental means of maintaining ruling order and governing the realm(tianxia).Under the order of Great Unity,the visual arts of the Eastern Han Dynasty witnessed the interaction,exchange,and integration among multiple ethnic groups,demonstrating an open,inclusive,and confident cultural spirit.

关键词

东汉/图像政治/大一统秩序/视觉建构

Key words

Eastern Han Dynasty/image politics/Great Unity/visual construction

分类

社会科学

引用本文复制引用

岳岭,林坤..东汉时期图像政治与大一统视觉文化建构[J].南都学坛,2026,46(3):1-7,7.

基金项目

国家社会科学基金一般项目"出土汉代儒释道题材画像中传统社会思想的当代阐释"(23BZJ039). (23BZJ039)

南都学坛

OACHSSCD

1002-6320

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