摘要
Abstract
Based on the phrase"three autumns"(san qiu)from the line"One day without seeing you is as long as three autumns"in the poem"Cai Ge"from The Book of Songs and anchored in its core connotations of depicting autumn scenery and expressing yearning,it was elucidated that the evolution of the meaning and the elevation of the status of"san qiu"across different historical periods.Through the analysis of poems containing"san qiu"from the Wei,Jin to Ming and Qing periods,it was found that its meaning experienced inheritance and development in terms of emotion,theme,and expression during the Wei,Jin,and Southern and Northern Dynasties.During the Tang,Song,and Yuan periods,the expansion of the image's connotations by poets and the construction of related poetic themes established its core position and value within the constellation of autumn imagery in classical poetry.The reconstruction and extension of the multi-dimensional aesthetic connotations of the"san qiu"image by poets of the Ming and Qing periods were systematically summarized,clarifying its classical attributes and paradigmatic function as a core image in ancient Chinese lyric poetry,this process represented its ascent from a general seasonal designation to a paradigmatic poetic image.关键词
"三秋"/思念/秋季/含义演变/诗学意义Key words
"sanqiu"/yearning/autumn/evolution of meaning/poetic significance分类
社会科学
