徐州工程学院学报（社会科学版）2026，Vol.41Issue(1)：43-48,6.
参与式文化视角下《黑神话:悟空》的文本盗猎与意义生产
A Participatory Culture Perspective on Textual Poaching and Meaning Production in Black Myth:Wukong
田佳琪1
作者信息
- 1. 南京艺术学院 文化产业学院,江苏 南京 210013
- 折叠
摘要
Abstract
Against the backdrop of digital technologies empowering the gaming industry,players have asserted their agency as textual poachers through participatory practices such as experiential sharing,decoding,recombination and fictional creation.Focusing on the blockbuster game Black Myth:Wukong as a case study,this article argues that player communities have achieved a shift in narrative power through"textual poaching"based on Henry Jenkins'theory of participatory culture.This process forms a participatory chain ranging from cross-media translation of cultural symbols to construction of community-based knowledge networks and proliferation of meaning within a vast ecosystem of user-generated content.Ultimately,such engagement helps to awaken collective cultural memory,mitigate the"cultural discount"in cross-cultural communication and extend the spectrum of cultural consumption.关键词
参与式文化/文本盗猎/游戏产业/玩家主体性Key words
participatory culture/textual poaching/gaming industry/player agency分类
社会科学引用本文复制引用
田佳琪..参与式文化视角下《黑神话:悟空》的文本盗猎与意义生产[J].徐州工程学院学报（社会科学版）,2026,41(1):43-48,6.
