世界竹藤通讯2026，Vol.24Issue(2)：102-109,134,9.DOI:10.12168/sjzttx.2026.03.10.001
傣族织锦与竹编融合的包袋设计实践
Design Practice of Bags Integrating Dai Brocade and Bamboo Weaving
摘要
Abstract
Traditional craftsmanship is an important part of Chinese culture,with unique historical,cultural and artistic values.As representative traditional handicrafts of the Dai ethnic group,Dai brocade and bamboo weaving feature exquisite techniques and rich cultural connotations,and are deeply favored by the Dai people.However,influenced by modernization and changing aesthetic demands,these traditional skills are confronted with challenges in inheritance and insufficient market demand.To promote the contemporary transformation of the two traditional crafts,this study takes bags as the carrier to explore the feasibility of innovative integration of Dai brocade and bamboo weaving.Through field investigation,the semantic meanings of Dai brocade patterns are extracted,the properties of bamboo materials are analyzed,a three-level design framework of"Structure-Skin-Spirit"is constructed,and a three-dimensional integration strategy of"structure-pattern-function"is proposed.The design and practice of the"Daiyun"series have been completed.The practice verifies the feasibility and cultural expressiveness of the"bamboo structure and brocade skin"concept,providing feasible design references and practical approaches for the modern expression and living inheritance of Dai brocade,bamboo weaving and similar intangible cultural heritage crafts.关键词
傣族织锦/竹编/包袋/非物质文化遗产/设计创新/云南Key words
Dai brocade/bamboo weaving/bag/intangible cultural heritage/design innovation/Yunnan province引用本文复制引用
彭宗英,杨凌辉,唐静..傣族织锦与竹编融合的包袋设计实践[J].世界竹藤通讯,2026,24(2):102-109,134,9.基金项目
云南省教育厅科学研究基金项目"产品设计助力'以竹代塑'政策实施路径创新研究——以大关县筇竹为例"(2025Y1293). （2025Y1293）
