现代电影技术Issue(4)：64-70,7.DOI:10.3969/j.issn.1673-3215.2026.04.009
东方幻境的构想与营造:电影《刺杀小说家2》的美术设计与创作实践
Conception and construction of an eastern fantasy world:Art design and cre-ative practice of A Writer's Odyssey 2
李淼1
作者信息
- 1. 北京白犀牛影视文化传播有限公司,北京 100123
- 折叠
摘要
Abstract
This paper takes the production design of A Writer's Odyssey 2 as a case study to explore how Chinese fantasy genre film can transcend the aesthetic limitations inherited from the co-production era and respond to the dual demands of film industrialization and evolving esthetic view from audience.Through the construction of a comprehensive story world,the application of modern filmmaking technologies,and the adoption of a creative approach described as"credible XIEYI",the film develops a visual system that integrates eastern aesthetics with contemporary cinematic sensibilities.The findings suggest that this practice demonstrates the feasibility of expressing the cultural depth of traditional eastern aesthetics through modern film production,offering both theoretical grounding and practical reference for Chinese fantasy filmmakers seeking to overcome creative bottlenecks and forge a distinctly eastern visual aesthetic.关键词
电影美术/东方奇幻/电影工业化/《刺杀小说家2》Key words
Film Production Design/Eastern Fantasy/Film Industrialization/A Writer's Odyssey 2分类
社会科学引用本文复制引用
李淼..东方幻境的构想与营造:电影《刺杀小说家2》的美术设计与创作实践[J].现代电影技术,2026,(4):64-70,7.
