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中国民间雕塑艺术的形质感知

杨文采

浙江大学学报(理学版)2026,Vol.53Issue(3):324-329,6.
浙江大学学报(理学版)2026,Vol.53Issue(3):324-329,6.DOI:10.3785/1008-9497.25135

中国民间雕塑艺术的形质感知

Perception of form and substance in Chinese folk sculpture art

杨文采1

作者信息

  • 1. 浙江大学 地球科学学院,浙江 杭州 310058
  • 折叠

摘要

Abstract

This paper discusses issues regarding the aesthetics of sculpture in cultural cognition.The characteristics of form and substance perception involve perceiving and describing the composition and morphology of things based on careful observation,which fall within the scope of natural history studies and have certain significance for the cognition of history and anthropology.There are many types of form and substance art,with sculpture being the most typical,which is different from painting and photography.Form and substance perception embodies the special texture and tactile quality of things,possessing an objective cognitive function that is lacking in modern digital information.Chinese sculptures are elegant and delicate,showing emotions and interests to individuals,expressing the sense of pleasure and energy in life spirit,and are closely combined with daily life utensils,reflecting the wisdom of the Chinese nation.For example,although ancient people did not work out the psychological theory of three'selves',they had long expressed the three'selves'in sculptures through artistic language.In the Paleolithic Age,our ancestors began to create sculptural art,not only using jade and stone but also employing bones,clay,wood and other materials for sculpture,expressing their strong desire to love life and love their homeland.

关键词

认知/形质感知/民间艺术/雕刻/远古时代

Key words

cognition/shape and substance perception/folk art/sculpture/remote antiquity

分类

社会科学

引用本文复制引用

杨文采..中国民间雕塑艺术的形质感知[J].浙江大学学报(理学版),2026,53(3):324-329,6.

浙江大学学报(理学版)

1008-9497

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