河北民族师范学院学报2026，Vol.46Issue(3)：61-66,6.DOI:10.16729/j.cnki.jhnun.2026.03.008
《最晚在都灵》与《都灵之马》的"反叙事"同构
"Anti-Narrative"Isomorphism Between No Later Than Turin and The Turin Horse
常璐芸 1郭红英2
作者信息
- 1. 运城学院 中文系,山西 运城 044000
- 2. 河北城乡建设学校 产教融合中心,河北 石家庄 050031
- 折叠
摘要
Abstract
In 2011,Hungarian director Béla Tarr adapted Krasznahorkai László's ultra-short story No Later Than Turin into the film The Turin Horse.This transmedia adaptation reveals a unique mechanism of"anti-narrative"isomorphism:both text and image work together to weaken events,dilute subjectivity,and deconstruct narrative logic,resulting in a narrative impoverishment characterized by"de-event,de-psychology,de-subject."In its structural reconfiguration,the film replaces events with time,transforming narrative into a"material experience of time"through long takes and repetition,thus reshaping"anti-narrative"into a mode of perceiving the world.The relationship between the short text and the lengthy film is not merely one of adaptation,but rather a transmedia conspiracy that transcends medium-specific differences:literature resists meaning through linguistic compression,while cinema resists nihilism through temporal prolongation.This cross-media approach serves as a shared strategy for both Krasznahorkai and Tarr to respond to the crisis of modernity.关键词
拉斯洛/塔尔/"反叙事"/跨媒介Key words
Krasznahorkai László/Béla Tarr/"anti-narrative"/transmedia分类
社会科学引用本文复制引用
常璐芸,郭红英..《最晚在都灵》与《都灵之马》的"反叙事"同构[J].河北民族师范学院学报,2026,46(3):61-66,6.
