设计社会学视角下20世纪80年代印花纹样设计研究OA
RESEARCH ON PRINTING PATTERN DESIGN IN THE 1980S FROM THE PERSPECTIVE OF DESIGN SOCIOLOGY
为探究20世纪80年代印花纹样的设计关系,以期为时下设计面对沿用题材,国外流行趋势时形成具有中国特色的设计提供借鉴.文章从设计社会学视角,对印花纹样设计的社会关系、本体特征、设计社会学价值展开研究.20世纪80年代的印花纹样设计发展受国家重视、市场追求、理论体系构建的影响,在题材、造型、色彩等方面呈现出不同的时代风貌.反映出时代工艺技术的发展、政策导向、大众审美、更是民族和时代进步的缩影.
To explore the design relationship between printing pattern in the 1980s,in order to provide reference for the formation of designs with Chinese characteristics in the face of current themes and foreign trends.The article studies the social relationships and ontological characteristics,and sociological value of printing pattern design from the perspective of design sociology,and the factors it contains.The development of printing pattern design in the 1980s was influenced by national attention,market pursuit,and the oretical system construction,presenting different styles of the times in terms of themes,shapes,color,and other aspects.It reflects not only the development of technological processes,policy guidance,public aesthetics,but also a microcosm of the progress of the nation and the times.
程灵;林竟路
浙江理工大学服装学院
艺术学
20世纪80年代印花纹样设计社会学社会关系设计特征
The 1980sPrinted patternSociology of designSocial relationsDesign feature
《设计》 2024 (015)
53-57 / 5
浙江理工大学浙江省丝绸与时尚文化研究中心基地成果;2023年浙江省大学生科技创新活动计划(新苗人才计划)——"时尚审美视域下江浙沪地区丝绸文创产品的创新路径"项目(2023R406070)
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